{"id":12988,"date":"2012-10-18T06:50:16","date_gmt":"2012-10-18T14:50:16","guid":{"rendered":"https:\/\/www.thelefortreport.com\/blog\/?p=12988"},"modified":"2012-10-19T06:12:22","modified_gmt":"2012-10-19T14:12:22","slug":"glen-hansard-at-hardly-strictly-bluegrass-festival-the-great-one-two-finish","status":"publish","type":"post","link":"https:\/\/www.thelefortreport.com\/blog\/2012-10\/glen-hansard-at-hardly-strictly-bluegrass-festival-the-great-one-two-finish\/","title":{"rendered":"Glen Hansard at Hardly Strictly Bluegrass Festival&#8211;The Great One-Two Finish"},"content":{"rendered":"<p><a href=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/glen-hansard-3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-large wp-image-12989\" title=\"glen-hansard-3\" src=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/glen-hansard-3-400x600.jpg\" alt=\"\" width=\"400\" height=\"600\" srcset=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/glen-hansard-3-400x600.jpg 400w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/glen-hansard-3-100x150.jpg 100w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/glen-hansard-3-266x400.jpg 266w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/glen-hansard-3.jpg 1000w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a>(Photo by <strong>Christopher Victorio<\/strong> for <a href=\"http:\/\/www.purevolume.com\/festivals\/hardly-strictly-bluegrass-2012-day-three\/glen-hansard-3\/#gallery_top\">PureVolume<\/a>)<\/p>\n<p>We&#8217;ve been tardy and flailing while trying to pass along our summary bulletins of the always-soulful <strong>Hardly Strictly Bluegrass Festival<\/strong> (nearly two-weeks later).\u00a0 What can we say?\u00a0 The world and its toiling: overrated.<\/p>\n<p>We caught great, timeless acts throughout the <strong>Festival<\/strong>, and in time will tell their tales.\u00a0 We would be remiss, however, if we didn&#8217;t at least list our ten favorite performances (out of the 25 or so acts we caught) at HSB 2012 , which were (in ascending order):\u00a0 <strong>Lloyd Cole, Conor Oberst, Jenny Lewis, Ben Kweller, Chuck Prophet &amp; the Mission Express, Dave Alvin &amp; the Guilty Ones, Nick Lowe, Giant Giant Sand, The Head and the Heart<\/strong>, and the fantastic <strong>Glen Hansard<\/strong>.<\/p>\n<p>We have had a heart for <strong>Hansard<\/strong> ever since his poignant, heartfelt songs and performances that made up the movie <strong>Once<\/strong> (if you haven&#8217;t seen, there&#8217;s this weekend&#8217;s movie for ya).\u00a0 But nothing prepared us for Hansard&#8217;s performance at HSB.\u00a0 Fearing another spare, acoustic set (like <strong>Lloyd Cole<\/strong> and <strong>Nick Lowe<\/strong>, as lovely as they were), we actually debated attending other stages instead.\u00a0 But our gut at <strong>Once<\/strong> told us to adhere to the age-old axiom:\u00a0 <strong>when in doubt as to musical alternatives, always go with the Irishman<\/strong>.\u00a0 You can take that one to the grave folks.<\/p>\n<p>Instead of solo, Hansard showed up with an enormous and enormously-talented 11-piece band (including three each of strings and horns), and proceeded to deliver THE set of the Festival.\u00a0 Though far too short a set (see the setlist way below), Hansard and band packed a punch throughout that will not soon be forgotten by us or the others in attendance.<\/p>\n<p>To finish off his fine set, Hansard gave us a great one-two medley that began with <em><strong>Fitzcarraldo<\/strong><\/em> (Hansard&#8217;s <strong>Frames<\/strong> song, and an homage of sorts to <strong>Werner Herzog&#8217;s<\/strong> fine 1982 film of same name) and ended with a braying and boisterous <em><strong>Don&#8217;t Do It<\/strong> <\/em>that caught the crowd stamping and crowing for more.\u00a0 To get a feel, check out videos of the one-two below, the second being ours.\u00a0 On <em><strong>Fitzcarraldo<\/strong><\/em>, the strings (<strong>Colm Mac Con Iomaire<\/strong>&#8216;s fiddle in particular) shone through.\u00a0 And closer <strong>Don&#8217;t Do It<\/strong> was Hansard&#8217;s homage to the late, great <strong>Levon Helm<\/strong> that featured (it turns out) <strong>Helm&#8217;s own horn section<\/strong>, some additive dance-moves from Hansard, and the perfect, Helm-esque accompanying vocals of drummer <strong>Graham Hopkins<\/strong>.<\/p>\n<p>It was a textbook, one-two finish that left many scrambling for their smart-phones to see where Hansard and crew would play next.\u00a0 We would have left the Festival and driven 500-miles to see them again.\u00a0 It was that good.\u00a0 But their set at HSB was the last California date\u00a0 on their tour (after a raved-about show the night before at the Fillmore and one show in LA in June).\u00a0 The next time they come around, don&#8217;t you do it:\u00a0 don&#8217;t you miss &#8217;em.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/w-QYIEu0rqY\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Glen Hansard at HSB--The One-Two Finish\" width=\"635\" height=\"357\" src=\"https:\/\/www.youtube.com\/embed\/LKHq18fP3JM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Setlist:<\/p>\n<p>1. Love Don\u2019t Keep Me Waiting<br \/>\n2. Respect (<strong>Otis Redding<\/strong>&#8211;due respect, <strong>Aretha<\/strong>&#8211;cover)<br \/>\n3. Talking With The Wolves<br \/>\n4. Low Rising<br \/>\n5. When Your Mind\u2019s Made Up (the only song from <strong>Once<\/strong>, but a highlight)<br \/>\n6. Bird of Sorrow<br \/>\n7. Astral Weeks (<strong>Van Morrison<\/strong> cover)<br \/>\n8. Fitzcarraldo<br \/>\n9. Don\u2019t Do It (a cover of <strong>The Band&#8217;s<\/strong> arrangement of the great <strong>Holland-Dozier-Holland<\/strong> song)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(Photo by Christopher Victorio for PureVolume) We&#8217;ve been tardy and flailing while trying to pass along our summary bulletins of the always-soulful Hardly Strictly Bluegrass Festival (nearly two-weeks later).\u00a0 What can we say?\u00a0 The world and its toiling: overrated. We caught great, timeless acts throughout the Festival, and in time will tell their tales.\u00a0 We [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12988","post","type-post","status-publish","format-standard","hentry","category-music"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts\/12988","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/comments?post=12988"}],"version-history":[{"count":0,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts\/12988\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/media?parent=12988"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/categories?post=12988"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/tags?post=12988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}