{"id":14767,"date":"2013-01-21T08:40:04","date_gmt":"2013-01-21T16:40:04","guid":{"rendered":"https:\/\/www.thelefortreport.com\/blog\/?p=14767"},"modified":"2013-01-21T08:40:04","modified_gmt":"2013-01-21T16:40:04","slug":"watch-richard-hawleys-new-video-for-dont-stare-at-the-sun","status":"publish","type":"post","link":"https:\/\/www.thelefortreport.com\/blog\/2013-01\/watch-richard-hawleys-new-video-for-dont-stare-at-the-sun\/","title":{"rendered":"Watch Richard Hawley&#8217;s New Video For &#8220;Don&#8217;t Stare At The Sun&#8221;"},"content":{"rendered":"<p><a href=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/BArha_bCcAAJn2X.jpg-large.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-large wp-image-14770\" alt=\"BArha_bCcAAJn2X.jpg large\" src=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/BArha_bCcAAJn2X.jpg-large-650x365.jpg\" width=\"635\" height=\"356\" srcset=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/BArha_bCcAAJn2X.jpg-large-650x365.jpg 650w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/BArha_bCcAAJn2X.jpg-large-150x84.jpg 150w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/BArha_bCcAAJn2X.jpg-large-450x253.jpg 450w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/BArha_bCcAAJn2X.jpg-large.jpg 960w\" sizes=\"auto, (max-width: 635px) 100vw, 635px\" \/><\/a><\/p>\n<p>Former <strong>Pulp<\/strong> guitarist <strong>Richard Hawley<\/strong> has been floating solo for over a decade following <strong>Pulp&#8217;s<\/strong> pulverization (as recording artists anyway).\u00a0 Hawley, the son of a steel worker, was raised in Sheffield, England, and grew up listening to the likes of <strong>Elvis (Presley), (Roy) Orbison, Scott Walker<\/strong> and <strong>Lee Hazelwood<\/strong>.\u00a0 He learned guitar at an early age and became a gunslinger in <strong>Pulp, Longpigs<\/strong>, and various studio sessions before breaking out his first solo album in 2001.\u00a0 Hawley&#8217;s sophomore album, <strong>Late Night Final<\/strong>, set the mode for his next 4-5 albums with Hawley&#8217;s baritone combining with lush life string arrangements.\u00a0 In 2005 he released one of our favorite albums of all-time, <strong>Coles Corner <\/strong>(a hangout in Sheffield), with its cinematic romanticisms delivered in his crooner&#8217;s lilt.\u00a0 This was followed by the similarly fantastic and atmospheric\u00a0<strong>Lady&#8217;s Bridge<\/strong> and <strong>Truelove&#8217;s Gutter<\/strong>. \u00a0But last year Hawley moved into more of a late-&#8217;60s psychedelia motif with his more aggressive, critically-acclaimed, <strong>Mercury Prize-nominated<\/strong> album, <strong>Standing at the Sky&#8217;s Edge<\/strong>.\u00a0 Buried within the album, however, was the song<em><strong> Don&#8217;t Stare At The Sun<\/strong><\/em> which could have compatibly fit within his prior three albums.\u00a0 Hawley has just released his official video for the beautifully moving song, which you can check out below.\u00a0 We&#8217;ll have more about the prodigiously-talented Hawley another time.\u00a0 In the meantime, don&#8217;t stare at the sun.\u00a0 And what the heck, after Hawley&#8217;s video check out the nostalgia of (Hawley-influencing) <strong>Lee Hazelwood&#8217;s<\/strong> song, <em><strong>For One<\/strong><\/em><strong> Moment<\/strong>. \u00a0Cloudy brain indeed.\u00a0 It&#8217;s Monday.<\/p>\n<p><object width=\"600\" height=\"400\" classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\" bgcolor=\"#000000\"><param name=\"wmode\" value=\"transparent\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowScriptAccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/videoplayer.vevo.com\/embed\/Embedded?videoId=GB3231200026&amp;playlist=false&amp;autoplay=0&amp;playerId=62FF0A5C-0D9E-4AC1-AF04-1D9E97EE3961 &amp;playerType=embedded&amp;env=0&amp;cultureName=en-US&amp;cultureIsRTL=False\" \/><param name=\"allowfullscreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed width=\"600\" height=\"400\" type=\"application\/x-shockwave-flash\" src=\"http:\/\/videoplayer.vevo.com\/embed\/Embedded?videoId=GB3231200026&amp;playlist=false&amp;autoplay=0&amp;playerId=62FF0A5C-0D9E-4AC1-AF04-1D9E97EE3961 &amp;playerType=embedded&amp;env=0&amp;cultureName=en-US&amp;cultureIsRTL=False\" wmode=\"transparent\" allowFullScreen=\"true\" allowScriptAccess=\"always\" allowfullscreen=\"true\" allowscriptaccess=\"always\" bgcolor=\"#000000\" \/><\/object><\/p>\n<p><iframe loading=\"lazy\" title=\"LEE HAZLEWOOD    FOR ONE MOMENT\" width=\"635\" height=\"476\" src=\"https:\/\/www.youtube.com\/embed\/O7oke1i1qFA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Former Pulp guitarist Richard Hawley has been floating solo for over a decade following Pulp&#8217;s pulverization (as recording artists anyway).\u00a0 Hawley, the son of a steel worker, was raised in Sheffield, England, and grew up listening to the likes of Elvis (Presley), (Roy) Orbison, Scott Walker and Lee Hazelwood.\u00a0 He learned guitar at an early [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-14767","post","type-post","status-publish","format-standard","hentry","category-music"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts\/14767","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/comments?post=14767"}],"version-history":[{"count":0,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts\/14767\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/media?parent=14767"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/categories?post=14767"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/tags?post=14767"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}