{"id":1491,"date":"2010-07-15T17:22:24","date_gmt":"2010-07-15T17:22:24","guid":{"rendered":"https:\/\/www.thelefortreport.com\/blog\/?p=1491"},"modified":"2010-07-15T19:59:31","modified_gmt":"2010-07-15T19:59:31","slug":"built-for-the-long-spill","status":"publish","type":"post","link":"https:\/\/www.thelefortreport.com\/blog\/2010-07\/built-for-the-long-spill\/","title":{"rendered":"Built for the Long Spill"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-large wp-image-1513\" title=\"BTS\" src=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/BTS-700x520.jpg\" alt=\"\" width=\"635\" height=\"471\" srcset=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/BTS-700x520.jpg 700w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/BTS-150x111.jpg 150w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/BTS-450x334.jpg 450w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/BTS.jpg 716w\" sizes=\"auto, (max-width: 635px) 100vw, 635px\" \/><\/p>\n<p>Wielding &#8220;hits,&#8221; hair and high-vocals, Built to Spill came to Soho on Tuesday and easily satisfied their ardent fans.<\/p>\n<p>The Built ones caught our attention when we first heard their &#8220;Perfect from Now On&#8221; record in 1997.\u00a0 From the beginning the band has had an uncanny ability to mesh a heavy, but intricate, choral-guitar sound with the high, oft-forlorn vocals of leader Doug Martsch, and to stitch it all together with oblique, but weighty and galvanizing lyrics.\u00a0 They accent the sound with a dollop of prog, a mantle of metal and, most importantly, marauding melodies.\u00a0 We have always been fans of male vocals at the high, nasally end of the register, and Martsch&#8217;s vocals fit perfectly in that genre&#8217;s continuum from Neil Young, to Wayne Coyne (Flaming Lips), to Ben Gibbard, to Yoni Wolf (Why?).<\/p>\n<p>After &#8220;Perfect&#8221;, the band followed 1n 1999 with universally-acclaimed &#8220;Keep it Like a Secret,&#8221; which took the band to further exalted heights.\u00a0 And it wasn&#8217;t long after the latter&#8217;s release that BTS came to the lamented Yucatan in Santa Barbara and regaled the crowd with its extended, innervating floor show.\u00a0 Martsch&#8217;s inventive, Stratocaster-anchored guitar-playing has always been at the core of the band&#8217;s appeal, and at the Yucatan Martsch and the band were incendiary, burning down that hot-house that night.<\/p>\n<p>We confess, though, that while we appreciated their subsequent &#8220;Ancient Melodies of the Future,&#8221; after the Yucatan our interest in BTS somewhat waned.\u00a0 First to contribute to the ebbing was a good, but comparatively disappointing, show at Slim&#8217;s in San Francisco.\u00a0 And then their &#8220;Live&#8221; record, with its 20-minute (each) <em>Cortez the Killer <\/em>and <em>Broken Chairs <\/em>cuts, left us reaching for the skip button.\u00a0 And then the band went on hiatus and released a couple of, for us, marginally interesting records.<\/p>\n<p>But when we heard the Club Mercy call and a couple of musically-respectable friends chimed in, we decided to venture down to the sold out show in Santa Barbara.<\/p>\n<p>So we were somewhat surprised that when the band took the stage, we were immediately mesmerized again. \u00a0 They led off with <em>Liar<\/em> off of 2006&#8217;s &#8220;You in Reverse&#8221; (one of those &#8220;marginally interesting&#8221; records we mentioned).\u00a0 With his bobbing head and swelling vocals, Martsch (each time looking more and more, for you historians, like 20th U.S. President, James Garfield) drew us in.\u00a0 It&#8217;s a great, newly-appreciated song, and for us was the highlight of the evening.\u00a0 Which is not to say that the rest of the show was not similarly captivating, as the band&#8217;s head-tossing, lyric-echoing, dancing fans will attest.\u00a0 Soho held a great, devoted crowd who knew every lyric to every song, and let the band hear it.\u00a0 The band delivered all their &#8220;hits&#8221; with admirable aplomb, and we enjoyed the hirsute, melodious attack throughout.\u00a0\u00a0 But we may have been spoiled by the lofty-heights of that early Yucatan show and the brilliant immediacy of &#8220;Keep it Like a Secret.&#8221;\u00a0 Perhaps it&#8217;s a mellowing with their and our age.\u00a0 Who knows?\u00a0 While we love this band and seeing them live, these days the passion has understandably played out a bit.\u00a0 And that was the missing link for us Tuesday night.<\/p>\n<p>Regardless, the band delivered a completely satisfying show to its sold out throng at Soho.<\/p>\n<p>If you haven&#8217;t heard or listened recently to <em>Liar<\/em>, check it out below.\u00a0 And if, for whatever reason, you haven&#8217;t heard Built to Spill at all, listen in to a few of our long-time favorites below it.<\/p>\n<p>Built to Spill&#8211;<em>Liar<\/em><\/p>\n<p><em>[audio:https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/03-Liar.mp3|titles=03 Liar]<\/em><\/p>\n<p>Built to Spill&#8211;<em>Carry the Zero<\/em><\/p>\n<p><em>[audio:https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/03-Carry-The-Zero.mp3|titles=03 Carry The Zero]<\/em><\/p>\n<p>Built to Spill&#8211;<em>Time Trap<\/em><\/p>\n<p>Check out this song&#8217;s slow-burn build until the core of this gem kicks in at 2:04.<\/p>\n<p><em>[audio:https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/06-Time-Trap.mp3|titles=06 Time Trap]<\/em><\/p>\n<p>Built to Spill&#8211;<em>The Plan<\/em><\/p>\n<p><em>[audio:https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/01-The-Plan1.mp3|titles=01 The Plan]<\/em><\/p>\n<p><em><br \/>\n<\/em><\/p>\n<p><em><br \/>\n<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wielding &#8220;hits,&#8221; hair and high-vocals, Built to Spill came to Soho on Tuesday and easily satisfied their ardent fans. The Built ones caught our attention when we first heard their &#8220;Perfect from Now On&#8221; record in 1997.\u00a0 From the beginning the band has had an uncanny ability to mesh a heavy, but intricate, choral-guitar sound [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1491","post","type-post","status-publish","format-standard","hentry","category-music"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts\/1491","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/comments?post=1491"}],"version-history":[{"count":0,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts\/1491\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/media?parent=1491"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/categories?post=1491"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/tags?post=1491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}