{"id":23206,"date":"2015-01-14T11:27:22","date_gmt":"2015-01-14T19:27:22","guid":{"rendered":"https:\/\/www.thelefortreport.com\/blog\/?p=23206"},"modified":"2015-01-14T11:27:22","modified_gmt":"2015-01-14T19:27:22","slug":"watch-official-video-for-flying-lotus-song-corunus-the-terminator","status":"publish","type":"post","link":"https:\/\/www.thelefortreport.com\/blog\/2015-01\/watch-official-video-for-flying-lotus-song-corunus-the-terminator\/","title":{"rendered":"Watch Official Video for Flying Lotus Song &#8220;Corunus, the Terminator&#8221;"},"content":{"rendered":"<p><a href=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/coronus-the-terminator-u.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-23208\" src=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/coronus-the-terminator-u.jpg\" alt=\"coronus-the-terminator-u\" width=\"435\" height=\"576\" srcset=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/coronus-the-terminator-u.jpg 435w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/coronus-the-terminator-u-113x150.jpg 113w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/coronus-the-terminator-u-302x400.jpg 302w\" sizes=\"auto, (max-width: 435px) 100vw, 435px\" \/><\/a><\/p>\n<p>With 2014&#8217;s phenomenal album <a href=\"http:\/\/flying-lotus.com\/youre-dead\/\"><em><strong>You&#8217;re Dead!<\/strong><\/em>, <strong>Flying Lotus<\/strong><\/a> both broadened and intensified his subtle musical world-domination efforts.\u00a0 Not only did he broaden his reach by adding in particular outside talent (<strong>Kendrick Lamar<\/strong>, amongst others) and diversified sounds, but he also intensified his songs&#8217; effects by releasing a string of crazy-creative, attention-garnering music videos therefor (including the <a href=\"https:\/\/www.thelefortreport.com\/blog\/2014-12\/you-must-watch-this-the-official-video-for-flying-lotuss-never-catch-me-featuring-kendrick-lamar\/\" target=\"_blank\"><strong>Best Music Video of 2014,<\/strong> <em><strong>Never Catch Me <\/strong><\/em><\/a>by <a href=\"https:\/\/www.thelefortreport.com\/blog\/2015-01\/the-music-videos-of-hiro-murai-watch-his-new-childish-gambino-video-for-sober-and-others\/\" target=\"_blank\"><strong>Hiro Murai<\/strong><\/a>).<\/p>\n<p>To prove that he&#8217;s not letting up in 2015, <strong>FlyLo<\/strong> today released the superb official video for one of the album&#8217;s centerpieces, <em><strong>Coronus, the Terminator<\/strong><\/em>.\u00a0 The song is a deceptively-soothing masterpiece that would not have been that out of place (to these ears) on <strong>Marvin Gaye&#8217;s <\/strong>stretching<strong> <em>What&#8217;s Going On<\/em><\/strong> period.\u00a0 But this new end-of-life video adds on challenging, thought-provoking visuals (why the one-armed son to begin, versus the full-limbed son&#8217;s mercy-killing, perhaps, at the end? Etc.), including afterlife, ashen &#8220;ghosts.&#8221;\u00a0 The artist said this about the song and video:\u00a0 \u201cFor me, <em><strong>Coronus<\/strong><\/em> is one of the most important moments on <em><strong>You\u2019re Dead!<\/strong><\/em> and holds ideas I\u2019m planning to explore in my future work.\u00a0 I\u2019m happy that the visual encapsulates the meaning of the record and this ambition.\u201d\u00a0 Check it out below.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/Ak4vLEBxIo4\" width=\"625\" height=\"425\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>With 2014&#8217;s phenomenal album You&#8217;re Dead!, Flying Lotus both broadened and intensified his subtle musical world-domination efforts.\u00a0 Not only did he broaden his reach by adding in particular outside talent (Kendrick Lamar, amongst others) and diversified sounds, but he also intensified his songs&#8217; effects by releasing a string of crazy-creative, attention-garnering music videos therefor (including [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-23206","post","type-post","status-publish","format-standard","hentry","category-music"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts\/23206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/comments?post=23206"}],"version-history":[{"count":2,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts\/23206\/revisions"}],"predecessor-version":[{"id":23210,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts\/23206\/revisions\/23210"}],"wp:attachment":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/media?parent=23206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/categories?post=23206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/tags?post=23206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}