{"id":24743,"date":"2015-09-23T13:44:30","date_gmt":"2015-09-23T21:44:30","guid":{"rendered":"https:\/\/www.thelefortreport.com\/blog\/?p=24743"},"modified":"2015-09-23T13:44:30","modified_gmt":"2015-09-23T21:44:30","slug":"watch-sylvan-re-imagine-h-s-k-t-at-moog-sound-lab-session","status":"publish","type":"post","link":"https:\/\/www.thelefortreport.com\/blog\/2015-09\/watch-sylvan-re-imagine-h-s-k-t-at-moog-sound-lab-session\/","title":{"rendered":"Watch Sylvan Re-Imagine “H.S.K.T.” at Moog Sound Lab Session"},"content":{"rendered":"

\"Sylan<\/a><\/p>\n

One of 2014’s\u00a0Best New Artists,\u00a0<\/em>Sylvan Esso<\/strong>\u00a0have continued their takeover of radios and labs around the globe (combining the two, at bottom check out their tune\u00a0Jamie’s Song<\/strong><\/em>\u00a0done for a\u00a0recent Radiolab<\/strong> episode). \u00a0Today they released their return<\/strong> <\/a>to the Moog Sound Lab<\/strong> to re-imagine H.S.K.T<\/strong><\/em> from their 2014 debut album. \u00a0For all you synthesizer\/production geeks, Moog Sound Lab<\/strong> had this to say about the Sylvan Esso session: \u00a0 “Using Ableton Live to route MIDI messages to an array of analog synthesizers, Nick Sanborn<\/strong> controls his Minitaur for basslines as well as a tower of Minimoog Voyager Rack Mount Editions to produce H.S.K.T.’s<\/strong><\/em> percussive track. Ableton’s master MIDI clock locks the arpeggiator tempo of a Moog Sub 37, which all ran through an MF-104M Analog Delay. Vocalist Amelia Meath<\/strong> played a Werkstatt running through the Minifooger Delay, and sang through another MF-104M Analog Delay. Nick then sequenced the whole thing with his Akai APC40. The only prerecorded sound was a loop of of Amelia singing ‘wanna get’ from the original track.”<\/p>\n

See more Moog Sound Lab Sessions<\/strong> HERE\u00a0<\/a>\u00a0and HERE<\/a>.<\/strong><\/p>\n