{"id":26305,"date":"2016-08-02T17:02:57","date_gmt":"2016-08-03T01:02:57","guid":{"rendered":"https:\/\/www.thelefortreport.com\/blog\/?p=26305"},"modified":"2016-08-02T17:06:12","modified_gmt":"2016-08-03T01:06:12","slug":"anderson-paak-held-a-triumphant-homecoming-last-night-in-ventura","status":"publish","type":"post","link":"https:\/\/www.thelefortreport.com\/blog\/2016-08\/anderson-paak-held-a-triumphant-homecoming-last-night-in-ventura\/","title":{"rendered":"Anderson .Paak Held A Triumphant “Homecoming” Last Night In Ventura"},"content":{"rendered":"

\"Cov0izoVUAAE6B7\"<\/a><\/p>\n

Having grown up in Oxnard<\/strong><\/a>, Anderson .Paak<\/strong><\/a> came “home” to Ventura with his Free Nationals<\/strong> in support last night, and regaled his family, friends and the souled-out throng with the most energetic, musical and enlivening set we’ve seen in 2016. \u00a0After playing catch-up, we’ve quickly become huge fans of .Paak<\/strong> and have been anxiously awaiting this concert. Thankfully\u00a0.Paak<\/strong> did not disappoint. After some majestic miscues and irrational “policy” choices by the Ventura Theater<\/strong>\u00a0(seriously people, we’ve got to talk)\u00a0.Paak<\/strong> came out and immediately made good by unleashing a musical storm to stoke and then quench the audience’s fire for his music.<\/p>\n

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Flowing seamlessly from the opening hip-hop sequence to R&B, rock and jazz elements, and back again,\u00a0.Paak & The Free Nationals<\/strong>\u00a0lived up to the worldwide, bubblin’ acclaim. \u00a0As most know by now\u00a0.Paak<\/strong> is a gifted drummer who vacillates frequently between microphone and drum-kit during his kinetic sets that feature the full-band aplomb of the Free Nationals<\/strong>. We are all-in on the trend in hip-hop shows towards more musicians and less loops, and this particular band of brothers is the real deal.<\/p>\n

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.Paak<\/strong> opened frenetically with the un-released\u00a0Bubblin’<\/strong><\/em>, then brought out the band for raging diss-tracks Milk N\u2019 Honey<\/strong><\/em> and Drugs<\/strong><\/em>. One of the highlights of the evening followed with The Season\/Carry Me<\/strong><\/em>,\u00a0<\/em>with\u00a0its hometown references to strawberry season, the PCH and Chumash, and the crowd singing along in unison. .Paak<\/strong> would go on to perform a perfect mix of songs from his latest album\u00a0Malibu<\/strong>\u00a0<\/em>(one of the Best of 2016<\/strong>)\u00a0<\/em>and older album\u00a0Venice<\/strong><\/em>, but also from collaborations with Kaytranada<\/strong> (Glowed-Up<\/strong><\/em>) and as a part of duo NXWorries<\/strong> (Suede<\/strong><\/em>). New or old songs, .Paak<\/strong> and band delivered them with ferocious and infectious delight. The Ventura crowd was in sync all night, whether in mosh, funk or hip-hop mode (despite the sub-par Ventura Theater sound–that’s two or three strikes, depending on how you’re counting), and left hoarse from singing along and completely sated.<\/p>\n

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Towards the end of his set, .Paak<\/strong>\u00a0fittingly brought out family and friends to help him celebrate his triumphant homecoming, but also made sure that the larger crowd felt apart of the celebration. .Paak<\/strong> then closed out the night with his fitting struggle-to-riches anthem, The Dreamer\u00a0<\/strong><\/em>(“Don’t stop now, keep dreaming”). There is no doubt about it: there is a lot to celebrate in .Paak’s<\/strong> music and live shows. Don’t you miss him next time he comes ’round–you can check out dates remaining on his tour HERE<\/strong><\/a>.<\/p>\n

Photos by Hannah Lefort<\/strong><\/h6>\n

\"PaakList\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Having grown up in Oxnard, Anderson .Paak came “home” to Ventura with his Free Nationals in support last night, and regaled his family, friends and the souled-out throng with the most energetic, musical and enlivening set we’ve seen in 2016. \u00a0After playing catch-up, we’ve quickly become huge fans of .Paak and have been anxiously awaiting […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-26305","post","type-post","status-publish","format-standard","hentry","category-music"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts\/26305","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/comments?post=26305"}],"version-history":[{"count":5,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts\/26305\/revisions"}],"predecessor-version":[{"id":26330,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts\/26305\/revisions\/26330"}],"wp:attachment":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/media?parent=26305"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/categories?post=26305"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/tags?post=26305"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}