{"id":2734,"date":"2010-10-13T23:04:30","date_gmt":"2010-10-13T23:04:30","guid":{"rendered":"https:\/\/www.thelefortreport.com\/blog\/?p=2734"},"modified":"2010-10-14T04:24:58","modified_gmt":"2010-10-14T04:24:58","slug":"les-shelleys-french-translation-boundless-talent-and-charm","status":"publish","type":"post","link":"https:\/\/www.thelefortreport.com\/blog\/2010-10\/les-shelleys-french-translation-boundless-talent-and-charm\/","title":{"rendered":"Les Shelleys&#8211;French Translation: Boundless Talent and Charm"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-2737\" title=\"LesShelleyslivedark\" src=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/LesShelleyslivedark1.jpg\" alt=\"\" width=\"500\" height=\"333\" srcset=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/LesShelleyslivedark1.jpg 500w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/LesShelleyslivedark1-150x99.jpg 150w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/LesShelleyslivedark1-450x299.jpg 450w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p>We caught up with Les Shelleys last night at Soho and were treated to an  updated and energized delivery by the &#8220;old soul&#8221; duo of Tom Brosseau and Angela  Correa.\u00a0 The separated-at-birth harmonies remain from their prior visits, along with the obvious joy in playing together and Brosseau&#8217;s always-apt guitar accompaniment (he does apropos minimalism as well as anybody in the business).\u00a0 But what&#8217;s new is a more emphatic and confident stage presence as a duo and Angie&#8217;s winning hand-clap\/body-slap percussion.<\/p>\n<p>Les Shelleys had the crowd from the get-go. They played a rich set of songs that began with the medley of <em>In My Time of Dying (<\/em>Blind Willie Johnson)\/<em>One Old Woman Lord (Ain&#8217;t No Lie), <\/em>and then moved into sly 60s-kitsch with the winking <em>Something Stupid <\/em>(made famous by Frank and Nancy Sinatra).\u00a0 Later, they went backwards in time<em> <\/em>with a playful take on the Andrews Sisters&#8217; calypso chestnut, <em>Rum and Coca Cola, <\/em>and then revisited the 60s again with Angie&#8217;s lead on a cover of <em>My World is Empty Without You <\/em>(Holland-Dozier-Holland and made famous by The Supremes)<em>. <\/em>But Les Shelleys also showed their more serious side to great effect with a stirring rendition of Bob Dylan&#8217;s harrowing <em>The Lonesome Death of Hattie Carroll. <\/em><\/p>\n<p>For the grand finale, Tom and Angie eschewed the stage, mics and instruments, and came out into the middle of the crowd for a rousing, stomping, acappella version of the found-song, <em>Green Room. <\/em>With the crowd providing loud clapping rhythm, Tom and Angie supplied soaring vocals and contrapuntal\/counterpoint clapping and stomping to propel the song and the audience further and, regretfully, to the end of their fine set.<\/p>\n<p>Les Shelleys head off shortly for a tour in Europe and then will spend time penning songs to go into the studio with PJ Harvey\/Eels\/M.Ward producer, Jon Parrish, in May for their first record of originals.\u00a0 We wish them great success and hope they return to Santa Barbara soon.\u00a0 Don&#8217;t miss &#8217;em next time.<\/p>\n<p>As for the headliners, The Weepies, their fans were enthralled, which was as it should be.<\/p>\n<p>Our take:\u00a0 the Weepies wept.<\/p>\n<p>And we had to go.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We caught up with Les Shelleys last night at Soho and were treated to an updated and energized delivery by the &#8220;old soul&#8221; duo of Tom Brosseau and Angela Correa.\u00a0 The separated-at-birth harmonies remain from their prior visits, along with the obvious joy in playing together and Brosseau&#8217;s always-apt guitar accompaniment (he does apropos minimalism [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2734","post","type-post","status-publish","format-standard","hentry","category-music"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts\/2734","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/comments?post=2734"}],"version-history":[{"count":0,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts\/2734\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/media?parent=2734"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/categories?post=2734"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/tags?post=2734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}