{"id":5565,"date":"2011-08-01T18:51:08","date_gmt":"2011-08-01T18:51:08","guid":{"rendered":"https:\/\/www.thelefortreport.com\/blog\/?p=5565"},"modified":"2019-07-02T16:11:51","modified_gmt":"2019-07-03T00:11:51","slug":"song-reasons-to-savor-the-silver-jews","status":"publish","type":"post","link":"https:\/\/www.thelefortreport.com\/blog\/2011-08\/song-reasons-to-savor-the-silver-jews\/","title":{"rendered":"Song Reasons to Savor the Silver Jews (Updated 9\/23\/11)"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-5642\" title=\"bermanandmalkmus\" src=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/bermanandmalkmus.jpg\" alt=\"\" width=\"503\" height=\"216\" srcset=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/bermanandmalkmus.jpg 503w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/bermanandmalkmus-150x64.jpg 150w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/bermanandmalkmus-450x193.jpg 450w\" sizes=\"auto, (max-width: 503px) 100vw, 503px\" \/><\/p>\n<p>Buried in the usual &#8220;Where Were You When?<strong>&#8221; <\/strong>inquiries (when <strong>9\/11<\/strong> happened? when you first heard <em><strong>Smells Like Teen Spirit<\/strong>? <\/em> when you first heard that <strong>Amy Winehouse, Marvin Gaye, John Lennon, Bob Marley, MLK, Jr., Robert Kennedy, and John F. Kennedy had died<\/strong>?, etc.), we would add:\u00a0 Where were you when you first heard one of America&#8217;s unheralded greats, <strong>Silver Jews<\/strong>?<\/p>\n<p>Okay, so that last one might be more of a soliloquy.\u00a0 But we will never forget that first time we heard Silver Jews.\u00a0 We were bored and heat-seeking in some ski shop in Tahoe in the winter of 1994 when we were momentarily jarred by the sounds coming out of the store&#8217;s speakers. &#8220;Hey, Ski Store Dude, when did the new Pavement come out??&#8221;\u00a0 Ski Store Dude:\u00a0 &#8220;Nah, it&#8217;s the Silver Jews, but yeah you got the Malkmus part right.&#8221;\u00a0 We&#8217;ll admit:\u00a0 we had no idea Stephen Malkmus (of Pavement) was in another band with Bob Nastanovich (also of Pavement), that was led by their college friend David Berman.\u00a0 From that winter day on we have been silvery fans of the argent Silver Jews.\u00a0 With a unique mix of indie rock, country components, and Berman&#8217;s singular lyricism and evocative vocal phrasing, Silver Jews immediately caught our attention.\u00a0 While Silver Jews never made a splash with their live playing (in part because of Berman&#8217;s stage-reticence), their songs caught part of the world off guard and imprisoned us.\u00a0 If you haven&#8217;t heard their songs, do yourselves a favor and spend some quality time with them below.\u00a0 We have recently spent most of our musical hours reliving the band&#8217;s seminal songs.\u00a0 Silver Jews&#8217; leader, David Berman, officially disbanded the band in 2009, but we hope its not the last we hear of Berman or this band.<\/p>\n<p><strong>If you&#8217;re short on time, scroll down and listen to their great song, <\/strong><em><strong>Random Rules<\/strong><\/em>.\u00a0 And then come back and savor them all.<\/p>\n<p>As background, Silver Jews were formed in 1989 (a great year) while Berman, Malkmus and Nastanovich were attending the University of Virginia.\u00a0 After graduating, the lads moved to New York City and parallel universes developed.\u00a0 One universe was Silver Jews, while the other was Pavement (which busy-boy Malkmus formed with hometown friend, Scott Kannberg).<\/p>\n<p>Silver Jews released a couple of EPs, but it was Pavement that released the first full album (<strong>&#8220;Slanted and Enchanted&#8221;<\/strong>) in 1992, followed by the seminal <strong>&#8220;Crooked Rain, Crooked Rain<\/strong>&#8221; in early 1994.\u00a0 It wasn&#8217;t until after the release of those two albums that Silver Jews released their first album, <strong>&#8220;Starlite Walker,&#8221; <\/strong>in the fall of 1994.\u00a0 As a result, Silver Jews would wrongly be characterized for years as a &#8220;Pavement side-project.&#8221;<\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-5643\" title=\"SJ SW\" src=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/SJ-SW.jpg\" alt=\"\" width=\"500\" height=\"500\" srcset=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/SJ-SW.jpg 500w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/SJ-SW-150x150.jpg 150w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/SJ-SW-400x400.jpg 400w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/strong><\/p>\n<p>Berman, Malkmus and Nastanovich were a potent mix on <strong>Starlite Walker<\/strong>.\u00a0 Berman conceived the songs in the woods of Oxford, Mississippi, and Malkmus and Nastanovich helped musically attire their bare-bones frames before the songs were recorded at Easley Studios (since destroyed by fire) in Memphis.\u00a0 On Starlite Walker, Berman displayed lyrical wisdom beyond his years (he would years-later release a highly-revered book of poetry entitled, &#8220;<strong>Actual Air<\/strong>&#8220;), and the band provided us great songs and instrumentals, a couple of which (frankly) may have warranted the accusations by <strong>Mark E. Smith<\/strong> of <strong>The Fall<\/strong>, that Silver Jews were wearing The Fall&#8217;s influence a little too prominently on their sleeves (an accusation that Smith more famously leveled against Pavement).\u00a0 On Starlite Walker, the band gave us a song for the ages: <em><strong>Advice to the Graduate. <\/strong><\/em>Lyrically the song provided a rare (for Berman) rosy-outlook that roundly resonated.\u00a0 And Malkmus&#8217;s signature vocals graced the chorus.\u00a0 Check it out all you new graduates (you know who you are).\u00a0 <strong>And make sure you heed the salient embedded advice:\u00a0 &#8220;Don&#8217;t believe in people who say it&#8217;s all been done.&#8221;<\/strong><\/p>\n<p>&#8220;If you got a message<br \/>\nLeave your name and number,<br \/>\nAnd we&#8217;ll get back to you.<\/p>\n<p>Sleep on your back<br \/>\nAnd ash in your shoes<br \/>\n<strong>And always use the old sense of the words<br \/>\nYour third drink will lead you astray<br \/>\nWandering down the backstreets of the world<\/strong><\/p>\n<p><strong>On the last day of your life<br \/>\nDon&#8217;t forget to die<\/strong><br \/>\nThe things that you do<br \/>\nWill always make your mama cry.<\/p>\n<p>Chorus:<br \/>\nWell I know you got a lot of hope for<br \/>\nThe new men (2x)<\/p>\n<p>So you&#8217;ve got no friends and<br \/>\nYou wander through the night<br \/>\nAnd now you watch the sunrise through a rifle-sight<br \/>\n<strong>Well don&#8217;t believe in people who say it&#8217;s all been done<br \/>\nThey have time to talk because their race is run<\/strong><\/p>\n<p>So get in some licks<br \/>\nAnd hold your head up<br \/>\nAnd soon you&#8217;ll be drinkin&#8217; from that crystal cup.<\/p>\n<p>Chorus (2x)<\/p>\n<p>Good morning&#8230;to the new world&#8230;&#8221;<\/p>\n<p><strong>Silver Jews&#8211;<em>Advice to the Graduate<\/em><\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"Silver Jews ~ Advice To The Graduate~\" width=\"635\" height=\"476\" src=\"https:\/\/www.youtube.com\/embed\/MoSiTul5Jx0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-large wp-image-5644\" title=\"Silver Jews - The Natural Bridge\" src=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/Silver-Jews-The-Natural-Bridge-606x600.jpg\" alt=\"\" width=\"606\" height=\"600\" srcset=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/Silver-Jews-The-Natural-Bridge-606x600.jpg 606w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/Silver-Jews-The-Natural-Bridge-150x148.jpg 150w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/Silver-Jews-The-Natural-Bridge-404x400.jpg 404w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/Silver-Jews-The-Natural-Bridge.jpg 1404w\" sizes=\"auto, (max-width: 606px) 100vw, 606px\" \/><\/p>\n<p>Following Starlite Walker, in 1996 Silver Jews released our favorite of their albums, <strong>&#8220;The Natural Bridge.&#8221;<\/strong> For reasons irrelevant to the songwriting of the Silver Jews, The Natural Bridge left off Malkmus and Nastanovich (both too busy with Pavement?), leaving Berman to bridge the gap and extend the lead on his own.\u00a0 As a result the songs are more personal and darker, and the sounds of The Fall were barely discernible.\u00a0 Songs such as <em><strong>How to Rent a Room, Pet Politics, Dallas<\/strong><\/em> and <em><strong>Frontier Index<\/strong><\/em> helped to show that Starlite Walker was no fluke and that Berman was a songwriting force.<\/p>\n<p><strong>Silver Jews&#8211;<\/strong><em><strong>How to Rent a Room<\/strong><\/em><\/p>\n<p>&#8220;No, I don&#8217;t really want to die<br \/>\nI only want to die in your eyes<br \/>\nI&#8217;m still here below the chandelier<br \/>\nWhere they always used to read us our rights<\/p>\n<p>I want to wander through the night<br \/>\nAs a figure in the distance even to my own eye<br \/>\nHave you ever rented a room<br \/>\nHave you ever even rented a room<\/p>\n<p>An anchor lets you see the river move<br \/>\nBut now that your evil dreams came true<br \/>\nThere on your face<br \/>\nA row of teeth he&#8217;ll come to replace<\/p>\n<p>I know you laughed when I left<br \/>\nBut you really only hurt yourself<br \/>\nWhen you see your curtains move in the wind<br \/>\nYou can bet I&#8217;m betting against you again<\/p>\n<p>&#8216;Cause I&#8217;m a man who has a wife who has a mother<br \/>\nWho married one but she loved another<br \/>\n<strong>You&#8217;re a tower without the bells<br \/>\nYou&#8217;re a negative wishing well<\/strong><\/p>\n<p>I should have checked the stable door<br \/>\nFor the name of the sire and dam<br \/>\nYou were always at the dog track<br \/>\nWith your brother and all his friends<\/p>\n<p><strong>Chalk lines around my body<br \/>\nLike the shoreline of a lake<br \/>\nYour laughter made me nervous<br \/>\nIt made your body shake too hard<\/strong><\/p>\n<p>Now there&#8217;s a lot of things that I&#8217;m gonna miss<br \/>\nLike thunder down country and the way water drips<br \/>\nWhen you&#8217;re running for the door in the rain<br \/>\nRead the metro section<br \/>\nRead the metro section<br \/>\nRead the metro section&#8230; See my name<\/p>\n<p>No I didn&#8217;t really want to die<br \/>\nI only want to die in your eyes<br \/>\nGrant me one last wish<br \/>\nLife should mean a lot less than this<br \/>\nGrant me one last wish<br \/>\nLife should mean a lot less than this&#8221;<\/p>\n<p><strong>Silver Jews&#8211;<\/strong><em><strong>How to Rent a Room<\/strong><\/em><\/p>\n[audio:https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/01-How-To-Rent-A-Room.mp3|titles=01 How To Rent A Room]\n<p>On <em><strong>Pet Politics<\/strong><\/em>, Berman bared his soul and gave us some of the best lines ever put to music.<\/p>\n<p>&#8220;Guard my bed<br \/>\nwhile the rain turns the ditches to mirrors<br \/>\nbuy a vase of carnations<br \/>\nfrom central Ohio where the looking machine can&#8217;t hear us.<br \/>\ndeep in the night we dream of positions<br \/>\nthere&#8217;s a line for the phone in the hall<br \/>\nand in the cold places where Spanish is spoken,<br \/>\nmost wars end in the fall.<br \/>\nyou never know when your pet will go.<br \/>\npet politics<\/p>\n<p>still wearing last night&#8217;s mascara<br \/>\nnow that her pet was gone for sure.<br \/>\n<strong>she was shivering so hard,<br \/>\nit looked like there were two of her.<br \/>\ni can see through the sleeve on her blouse<br \/>\nthe mute plans of her architect lover.<br \/>\na tattoo of a boarded up house,<br \/>\nan ink door that belonged to another.<br \/>\nwhen the rain hits you, it hits you slow.<br \/>\nstitch after stitch.<br \/>\nstitch after stitch.<\/strong><\/p>\n<p>adam was not the first man,<br \/>\nthough the bible tells us so.<br \/>\nthere was one created before him<br \/>\nwhose name we do not know.<br \/>\nhe also lived in the garden,<br \/>\nbut he had no mouth or eyes.<br \/>\none day adam came to kill him<br \/>\nand he died beneath these skies.<br \/>\n<strong>i find it so amazing how<br \/>\ni go where i&#8217;m lead.<br \/>\ni go where i&#8217;m lead.<br \/>\ni go where i&#8217;m lead.<br \/>\ni go where i&#8217;m lead.<\/strong><\/p>\n<p><strong>i suspect we could be losing now.<\/strong> <strong><br \/>\nplease guard my bed.<br \/>\nplease guard my bed.<\/strong><\/p>\n<p><strong>Silver Jews&#8211;<em>Pet Politics.<\/em><\/strong><\/p>\n[audio:https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/02-Pet-Politics.mp3|titles=02 Pet Politics]\n<p><em><strong>Black and Brown Blues <\/strong><\/em>is a jaunty song that belies the seriousness of the lyrics.\u00a0 Once again Berman tosses off stunning lines, and ends with one of our favorites stanzas of all-time.<\/p>\n<p>&#8220;Baby let&#8217;s get dressed up<br \/>\nI got two pairs of shoes<br \/>\nDarling you look so beautiful<br \/>\nwhen your hair&#8217;s all hung in jewels<br \/>\nand sometimes I find it really hard to choose<br \/>\nbetween a pair of black and a pair of brown shoes<\/p>\n<p>When I&#8217;m high on batwings<br \/>\nup by the silvery moon<br \/>\nI think of a certain sad eyed king<br \/>\ntrapped in his golden room<br \/>\nand I dream of a cold river on the way<br \/>\nto come and sweep that king into this black and brown bay<\/p>\n<p><strong>Well the water looks like jewelry<br \/>\nwhen it&#8217;s coming out the spout<\/strong><br \/>\nand nothing could make me feel better<br \/>\nthan a wet kiss on the mouth<br \/>\nFake I.D.&#8217;s and honeybees<br \/>\n<strong>the jagged skyline of car keys<\/strong><br \/>\nI never knew the bird could fly so low<\/p>\n<p>Rub out the catlight,<br \/>\nrub out the village<br \/>\nred and white exit light<br \/>\nthat&#8217;s exodus damage<br \/>\nWhy don&#8217;t people think of who they use?<br \/>\nWhy don&#8217;t you try and come and get me: Black and Brown Blues<\/p>\n<p>It&#8217;s raining triple sec in &#8216;Tchula<br \/>\nand the radio plays &#8220;Crazy Train&#8221;<br \/>\nthere&#8217;s a quadroon ball in the beehive<br \/>\nhanging out in the rain<br \/>\nand when there&#8217;s trouble I don&#8217;t like running<br \/>\nbut I&#8217;m afraid I got more in common<br \/>\nwith who I was than who I am becoming<\/p>\n<p><strong>When I go downtown<br \/>\nI always wear a corduroy suit<br \/>\ncause it&#8217;s made of a hundred gutters<br \/>\nthat the rain can run right through<br \/>\nbut a lonely man can&#8217;t make a move<br \/>\nif he can&#8217;t even bring himself to choose<br \/>\nbetween a pair of black and a pair of brown shoes<\/strong>&#8221;<\/p>\n<p><strong>Silver Jews&#8211;<em>Black and Brown Blues<\/em><\/strong><\/p>\n[audio:https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/03-Black-And-Brown-Blues.mp3|titles=03 Black And Brown Blues]\n<p>On <em><strong>Dallas,<\/strong><\/em> Berman continued his lyrical bent, which vacillated between the incoherent and coherent, but lit up the literate liturgy in between.<\/p>\n<p><em><strong>&#8220;<\/strong><\/em>I passed out on the fourteenth floor<br \/>\nthe CPR was so erotic<br \/>\na blizzard blew in through the door<br \/>\nand little glowing cum buckets in her ankles<\/p>\n<p><strong>O Dallas you shine with an evil light<br \/>\nO Dallas you shine with an evil light<br \/>\nHow&#8217;d you turn a billion steers<br \/>\ninto buildings made of mirrors,<br \/>\nand why am I drawn to you tonight?<br \/>\n<\/strong><br \/>\nOnce you taste the geometry of a church in a cul-de-sac<br \/>\nyou&#8217;re gonna want to sit with the bad kids in the back<br \/>\nCruising down Commerce<br \/>\nkilling time in the blazing sun<br \/>\nIs it true your analyst was a placekicker for the Falcons?<\/p>\n<p>We saw B.B.King on General Hospital<br \/>\nin the Oak Cliff dramhouse where we stayed<br \/>\nand when Clancy whipped her with his belt buckle<br \/>\nhe cleaned her cuts and then we prayed<\/p>\n<p>O Dallas you shine with an evil light<br \/>\nDon&#8217;t you know that God stays up all night?<br \/>\nAnd how did you turn a billion steers<br \/>\ninto buildings made of mirrors,<br \/>\nand why am I drawn to you tonight?<\/p>\n<p>Watching the makeup girls make out with the mannequins<br \/>\n&#8220;Hey boys, supper&#8217;s on me, our record just went aluminum&#8221;<\/p>\n<p><strong>Poor as a mouse every morning<br \/>\nrich as a cat every night<br \/>\nSome kind of strange magic happens<br \/>\nwhen the city turns on her lights<\/strong>&#8221;<\/p>\n<p><strong>Silver Jews&#8211;<em>Dallas<\/em><\/strong><\/p>\n[audio:https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/06-Dallas.mp3|titles=06 Dallas]\n<p><em><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-5652\" title=\"SJAM\" src=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/SJAM.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/SJAM.jpg 300w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/SJAM-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/strong><\/em><\/p>\n<p>In 1998 the band (including Malkmus, who is prominently featured throughout) released what many believe to be their (or anyone else&#8217;s) finest album, <strong>&#8220;American Water.&#8221; <\/strong>The album includes some of the bands&#8217; best and most varied playing, including brass, flute, and alternating jazz, jangle, thrash and wah-wah guitar-work.\u00a0 The Pavement side of the band&#8217;s equation is most apparent on American Water (just listen to <em><strong>People, Blue Arrangements <\/strong><\/em>and<em><strong> Federal Dust). <\/strong><\/em>But most importantly, Berman continued to write stunning songs, chief of which is one of our absolute favorites of all-time, <em><strong>Random Rules.<\/strong><\/em><\/p>\n<p>On <em>Random Rules<\/em>, Berman opens with two of\u00a0 his signature lines, and goes on to unleash some of the best couplets to ever capture the de-coupling of a couple while in the throes of addiction.\u00a0 And the mournful horns on the chorus and throughout always rend us.\u00a0 We&#8217;re not sure we&#8217;ve heard too many more affecting lyrics than when Berman sings: <strong>&#8220;But before I go I&#8217;ve gotta ask you, dear, about the tan line on your ring finger.&#8221;<\/strong> A beauty.<\/p>\n<p><strong>Silver Jews<em>&#8211;Random Rules<\/em><\/strong><\/p>\n<p><strong><em>&#8220;<\/em>In 1984 I was hospitalized for approaching perfection.<br \/>\nSlowly screwing my way across Europe, they had to make a correction.<\/strong><br \/>\nBroken and smokin&#8217; where the infrared deer plunge in the digital snake.<br \/>\n<strong>I tell you, they make it so you can&#8217;t shake hands when they make your hands shake.<\/strong><\/p>\n<p><strong>I know you like to line dance, everything so democratic and cool,<br \/>\nBut baby there&#8217;s no guidance when random rules.<\/strong><\/p>\n<p><strong>I know that a lot of what I say has been lifted off of men&#8217;s room walls.<br \/>\nMaybe I&#8217;ve crossed the wrong rivers and walked down all the wrong halls.<br \/>\nBut nothing can change the fact that we used to share a bed<br \/>\nand that&#8217;s why it scared me so when you turned to me and said:<\/strong><\/p>\n<p><strong>&#8220;Yeah, you look like someone<\/strong> <strong><br \/>\nYeah you look like someone who up and left me low.<br \/>\nBoy, you look like someone I used to know.&#8221;<\/strong><\/p>\n<p>I asked the painter why the roads are colored black.<br \/>\nHe said, &#8220;Steve, it&#8217;s because people leave<br \/>\nand no highway will bring them back.&#8221;<br \/>\nSo if you don&#8217;t want me I promise not to linger,<br \/>\n<strong>But before I go I&#8217;ve gotta ask you, dear, about the tan line on your ring finger.<\/strong><\/p>\n<p>No one should have two lives,<br \/>\nnow you know my middle names are wrong and right.<br \/>\nHoney we&#8217;ve got two lives to give tonight.&#8221;<\/p>\n<p><strong>Silver Jews<em>&#8211;Random Rules<\/em><\/strong><\/p>\n[audio:https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/01-Random-Rules.mp3|titles=01 Random Rules]\n<p>And check out the video for <em><strong>Random Rules <\/strong><\/em>that we just unearthed.<i><\/i><\/p>\n<p><iframe loading=\"lazy\" title=\"Silver Jews &quot;Random Rules&quot; (Official Music Video)\" width=\"635\" height=\"476\" src=\"https:\/\/www.youtube.com\/embed\/bPD0JLwpc3k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>And just to prove that Silver Jews weren&#8217;t just about the ballads, check out the rollicking <em><strong>Smith &amp; Jones Forever <\/strong><\/em>below.\u00a0 The song seems to capture America&#8217;s impoverished stealing from cars, and wearing duct tape shoes and extension-cord belts.\u00a0 A song in part about America&#8217;s generic poor:\u00a0 Smiths and Jones.\u00a0 In the end, Berman seems to depict those same fiscally poor as also being morally poor in their willingness to hitchhike across a distance just to witness the execution of a wanted criminal.\u00a0 A song about media manipulation or quoi?\u00a0 We&#8217;ll leave you to crack the code.<\/p>\n<p><strong>Silver Jews&#8211;<em>Smith &amp; Jones Forever<\/em><\/strong><\/p>\n<p><strong><em>&#8220;<\/em><\/strong>Are you honest when no one&#8217;s looking?<br \/>\nCan you summon honey from a telephone?<br \/>\nThey sat there with their hooks in the water<br \/>\nand their moustaches caked with airplane glue.<\/p>\n<p>o come let us adore them<br \/>\nCalifornia overboard<br \/>\nwhen the sun sets on the ghetto all the broken stuff gets cold.<\/p>\n<p>Smith and Jones forever!<br \/>\nSmith and Jones forever!<br \/>\nSmith and Jones forever together forever and ever.<\/p>\n<p>Build a stage for Autumn&#8217;s bitch.<br \/>\nThey walk the alleys in duct tape shoes.<br \/>\nThey see the things they need through the windows of a hatchback<br \/>\n<strong>The alleys are the footnotes of the avenues<\/strong>.<\/p>\n<p>o come let us adore them<br \/>\nCalifornia overboard<br \/>\n<strong>holding up their trousers with extension cords<\/strong>.<\/p>\n<p>(chorus)<\/p>\n<p>I&#8217;ve got two tickets to a midnight execution.<br \/>\nWe&#8217;ll hitchhike our way from Odessa to Houston<br \/>\n<strong>and when they turn on the chair<br \/>\nsomething&#8217;s added to the air<br \/>\nwhen they turn on the chair<br \/>\nsomething&#8217;s added to the air forever<\/strong><\/p>\n<p>(chorus)&#8221;<\/p>\n<p><strong>Silver Jews&#8211;<em>Smith &amp; Jones Forever<\/em><\/strong><\/p>\n[audio:https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/02-Smith-Jones-Forever.mp3|titles=02 Smith &amp; Jones Forever]\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-5658\" title=\"BFlarge\" src=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/BFlarge.jpg\" alt=\"\" width=\"259\" height=\"259\" srcset=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/BFlarge.jpg 259w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/BFlarge-150x150.jpg 150w\" sizes=\"auto, (max-width: 259px) 100vw, 259px\" \/><\/p>\n<p>Following American Water, the band released <strong>&#8220;Bright Flight&#8221; <\/strong>in 2001.\u00a0 Once again minus Malkmus, Berman added sweetheart Cassie Marrett (who later became Mrs. Berman) and other replacements.\u00a0 As a result, Bright Flight sounds more like The Natural Bridge than other Silver Jews albums, with more of a solo vision.\u00a0 Bright Flight also has more of the influence of Nashville, where Berman and Cassie had settled in.\u00a0\u00a0 You can hear it in Berman&#8217;s more drawling voice, the pedal steel and honky-tonk piano.\u00a0 And of course Berman entwines with his witty-yet-pained lyrics, including simple puns like on <em><strong>Horseleg Swastikas<\/strong><\/em> (&#8220;Water doesn&#8217;t give a damn&#8221;).\u00a0 There are also great singalongs throughout on<em><strong> Time Will Break the World<\/strong><\/em> and <em><strong>Let&#8217;s Not and Say We Did<\/strong><\/em>.\u00a0 Check out some of the Bright Flight songs below, including the raving <em>Let&#8217;s Not and Say We Did<\/em>.<\/p>\n<p><strong>Silver Jews&#8211;<em>Horseleg Swastikas<\/em><\/strong><\/p>\n<p>&#8220;I&#8217;m drunk on a couch in Nashville<br \/>\nIn a duplex near the reservoir<br \/>\nAnd every single thought is like a punch in the face<br \/>\nI&#8217;m like a rabbit freezing on a star<\/p>\n<p>On the wrong side of Sunday morning<br \/>\nShattered in the terrible light<br \/>\nWorking for a bankrupt circus<br \/>\nOn the wrong side of Saturday night<\/p>\n<p><strong>And I wanna be like water if I can<br \/>\n&#8216;Cause water doesn&#8217;t give a damn<br \/>\nWater doesn&#8217;t give a damn<br \/>\n<\/strong><br \/>\nChased by a floating hatchet<br \/>\nYou can&#8217;t just shoot your way out and go<br \/>\nI could tell you things about this wallpaper<br \/>\nThat you&#8217;d never ever want to know<\/p>\n<p>But there&#8217;s an altar in the valley<br \/>\nFor things in themselves as they are<br \/>\nAnd the triumph the obstacle<br \/>\nAnd horseleg swastikas<\/p>\n<p>I wanna take a ride on the back of a sunbird<br \/>\nUp into the highest numbers<br \/>\nUp into the highest numbers<\/p>\n<p>And I wanna be like water if I can<br \/>\n&#8216;Cause water doesn&#8217;t give a damn<br \/>\nWater doesn&#8217;t give a damn&#8221;<\/p>\n<p><strong>Silver Jews&#8211;<em>Horseleg Swastikas<\/em><\/strong><\/p>\n[audio:https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/05-Horseleg-Swastikas.mp3|titles=05 Horseleg Swastikas]\n<p><strong>Silver Jews&#8211;<em>Slow Education<\/em><\/strong><\/p>\n<p><strong><em>&#8220;<\/em><\/strong>When God was young<br \/>\nHe made the wind and the sun<br \/>\nAnd since then<br \/>\nIt&#8217;s been a slow education<br \/>\nAnd you got that one idea again<br \/>\nThe one about dying<\/p>\n<p>Oh, oh, oh I&#8217;m lightning<br \/>\nOh, oh, oh I&#8217;m rain<br \/>\nOh, oh, oh it&#8217;s frightening<br \/>\nI&#8217;m not the same<br \/>\nI&#8217;m not the same<br \/>\nI&#8217;m not the same<\/p>\n<p>There&#8217;s a screen door banging in the wind<br \/>\nRemember you wanted to be like George Washington back then<br \/>\nEverybody going down on themselves<br \/>\nNo pardon mes or fare-thee-wells in the end<br \/>\nAnd you got that one idea again<br \/>\nThe one about dying<\/p>\n<p>Oh, oh, oh I&#8217;m lightning<br \/>\nOh, oh, oh I&#8217;m rain<br \/>\nOh, oh, oh it&#8217;s frightening<br \/>\nI&#8217;m not the same<br \/>\nI&#8217;m not the same<br \/>\nI&#8217;m not the same&#8221;<\/p>\n<p><strong>Silver Jews&#8211;<em>Slow Education<\/em><\/strong><\/p>\n[audio:https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/01-Slow-Education.mp3|titles=01 Slow Education]\n<p><strong>Silver Jews&#8211;<em>Let&#8217;s Not and Say We Did<\/em><\/strong><\/p>\n<p><strong><em>&#8220;<\/em><\/strong>Let&#8217;s go hunting blackbirds<br \/>\nLet&#8217;s throw snowballs from the bridge<br \/>\nThe fireplace burns backwards<br \/>\nLet&#8217;s not and say we did<br \/>\nThere&#8217;s a trapdoor in the country<br \/>\nWhere we can disappear.<\/p>\n<p>These giant evergreens<br \/>\nAre a promise redeemed<br \/>\nLet&#8217;s walk down the glassy top of a frozen pasture stream<br \/>\nOur minds can dream like soda machines<br \/>\nAnd that&#8217;s exactly what we did<\/p>\n<p>Let&#8217;s ride down the ridge<br \/>\nTo the military bridge<br \/>\nYou can&#8217;t be against forever<br \/>\nLet&#8217;s not and say we did<br \/>\nThere&#8217;s a party in the country<br \/>\nWhere we can disappear<\/p>\n<p>Dig if you will<br \/>\nA picture of you, girl<br \/>\nFinding the fiercest way to live<br \/>\nWe could ride all day in a one horse open sleigh<br \/>\nAnd that&#8217;s exactly what we did<br \/>\nAnd that&#8217;s exactly what we did&#8221;<\/p>\n<p><strong>Silver Jews&#8211;<em>Let&#8217;s Not and Say We Did<\/em><\/strong><\/p>\n[audio:https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/07-Lets-Not-and-Say-We-Did.mp3|titles=07 Let&#8217;s Not and Say We Did]\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-5661\" title=\"TNlarge\" src=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/TNlarge.jpg\" alt=\"\" width=\"259\" height=\"259\" srcset=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/TNlarge.jpg 259w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/TNlarge-150x150.jpg 150w\" sizes=\"auto, (max-width: 259px) 100vw, 259px\" \/><\/p>\n<p>Following Bright Flight, the band went on a four-year hiatus during which, sadly, Berman sunk into depression and addiction and a (thankfully) failed suicide attempt.\u00a0 Fortunately, family and friends (including Malkmus, Nastanovich and Will Oldham, amongst a throng) rallied &#8217;round Berman and helped to lift him back up.\u00a0 They eventually went back into the studio and put together the band&#8217;s most polished album, <strong>&#8220;Tanglewood Numbers,&#8221; <\/strong>released in 2005.\u00a0\u00a0 Berman didn&#8217;t pull any punches on the album, and it is at times heavy, though the polish of the music and the sounds of recovery and lofty vision leaven the load.\u00a0 Surprisingly (given the circumstances) the album didn&#8217;t move us nearly as much as the earlier offerings.\u00a0 Nonetheless, check out the punkish <em><strong>There is a Place <\/strong><\/em>(with it&#8217;s &#8220;I saw God&#8217;s shadow on this world&#8221; refrain) and <em><strong>Animal Shapes <\/strong><\/em>(&#8220;God must be carving clouds into animal shapes&#8221;).<\/p>\n<p><strong>Silver Jews&#8211;<em>There is a Place<\/em><\/strong><\/p>\n[audio:https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/10-There-Is-A-Place.mp3|titles=10 There Is A Place]\n<p><strong>Silver Jews&#8211;<em>Animal Shapes<\/em><\/strong><\/p>\n[audio:https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/04-Animal-Shapes.mp3|titles=04 Animal Shapes]\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-5662\" title=\"LMLS large\" src=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/LMLS-large.jpg\" alt=\"\" width=\"259\" height=\"259\" srcset=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/LMLS-large.jpg 259w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/LMLS-large-150x150.jpg 150w\" sizes=\"auto, (max-width: 259px) 100vw, 259px\" \/><\/p>\n<p>Silver Jews&#8217; final (for now) album would be 2008&#8217;s &#8220;<strong>Lookout Mountain, Lookout Sea,&#8221; <\/strong>which was very well received by critics.\u00a0 But perhaps the writing was on the wall as Berman would call it quits in 2009.\u00a0 We loved <em><strong>Suffering Jukebox<\/strong><\/em> in particular off this album.\u00a0 With it&#8217;s country swagger, the song can seem to merely refer to juked jukeboxes in desultory honky-tonk dives around the country.\u00a0 More likely though, the song is autobiographical and addresses the state of the music industry and Berman&#8217;s place within it.\u00a0 But we also wonder if the song&#8217;s title isn&#8217;t in some fashion Berman&#8217;s tip-of-the-hat to old nemesis, Mark E. Smith, and The Fall&#8217;s great song, <em><strong>Rebellious Jukebox. <\/strong><\/em>Hopefully Berman will come back and tell all.<\/p>\n<p><strong>Silver Jews&#8211;<em>Suffering Jukebox<\/em><\/strong><\/p>\n<p>&#8220;Cranes on the downtown skyline is a sight to see for some<br \/>\nit ought to make a few reputations in the cult of number one<br \/>\nwhile these seconds turn these minutes into hours of the day<br \/>\nall these doubles drive the dollars and the light of day away<\/p>\n<p>suffering jukebox such a sad machine<br \/>\nyour filled up with what other people need<br \/>\nand they never seem to turn you up loud<br \/>\nthere are a lot of chatterboxes in this crowd<\/p>\n<p>suffering jukebox in a happy town<br \/>\nyou&#8217;re over in the corner breaking down<br \/>\nthey always seem to keep you way down low<br \/>\nthe people in this town don&#8217;t want to know<\/p>\n<p>well I guess all that mad misery must make it seem to true to you<br \/>\nbut money lights your world up, you&#8217;re trapped what can you do?<br \/>\nyou got Tennessee tendencies and chemical dependencies<br \/>\nyou make the same old jokes and malaprops on cue<\/p>\n<p>suffering jukebox such a sad machine<br \/>\nyour filled up with what other people need<br \/>\nhardship, damnation and guilt<br \/>\nmake you wonder why you were even built<\/p>\n<p>suffering jukebox in a happy town<br \/>\nyou&#8217;re over in the corner breaking down<br \/>\nthey always seem to keep you way down low<br \/>\nthe people in this town don&#8217;t want to know&#8221;<\/p>\n<p><strong>Silver Jews&#8211;<em>Suffering Jukebox<\/em><\/strong><\/p>\n[audio:https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/08-Suffering-Jukebox.mp3|titles=08 Suffering Jukebox]\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p>If you want to keep abreast of Berman and his synapses, you can check out his relatively recent blog, Menthol Mountains, <a href=\"http:\/\/mentholmountains.blogspot.com\/\"><strong>HERE<\/strong><\/a>.<\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Buried in the usual &#8220;Where Were You When?&#8221; inquiries (when 9\/11 happened? when you first heard Smells Like Teen Spirit? when you first heard that Amy Winehouse, Marvin Gaye, John Lennon, Bob Marley, MLK, Jr., Robert Kennedy, and John F. Kennedy had died?, etc.), we would add:\u00a0 Where were you when you first heard one [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5565","post","type-post","status-publish","format-standard","hentry","category-music"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts\/5565","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/comments?post=5565"}],"version-history":[{"count":3,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts\/5565\/revisions"}],"predecessor-version":[{"id":28780,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts\/5565\/revisions\/28780"}],"wp:attachment":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/media?parent=5565"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/categories?post=5565"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/tags?post=5565"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}