{"id":77,"date":"2010-04-04T05:34:40","date_gmt":"2010-04-04T05:34:40","guid":{"rendered":"https:\/\/www.thelefortreport.com\/blog\/?p=77"},"modified":"2010-04-21T04:21:32","modified_gmt":"2010-04-21T04:21:32","slug":"knaan-and-nneka","status":"publish","type":"post","link":"https:\/\/www.thelefortreport.com\/blog\/2010-04\/knaan-and-nneka\/","title":{"rendered":"K&#8217;Naan and Nneka"},"content":{"rendered":"<p>No, it ain&#8217;t&#8217; no anagram.\u00a0\u00a0 Instead (at long last) it&#8217;s songs and sounds closely insinuating Marley-esque maneuvers.\u00a0 This pair is inspired and inspiring, and aspire to the higher ground that only Marley delivered.\u00a0 This time Jamaica has given way to Afro-centric origins.\u00a0\u00a0 Here in Amerique, we&#8217;ve been waiting for Lil&#8217; This and Lil&#8217; That to deliver (Rikers?\u00a0 How&#8217;s that, fool?), and though worthy, Lupe Fiasco can&#8217;t meet the need for a new musical messiah.\u00a0 So\u00a0 she (Nneka) and (ahem) him (K&#8217;Naan) have come forward to fill the void.\u00a0 Did they fall to earth or have they been toiling away just waiting for us to finally open our ears?\u00a0 I dunno&#8230;.\u00a0 But these two\u00a0 demand one&#8217;s undivided attention.\u00a0 In the spirit of Nesta, we are blessed with K&#8217;Naan and Nneka.\u00a0 As for K&#8217;Naan (via Somalia\/Mogadishu), there&#8217;s not an untrue moment.\u00a0 The sing-song synapses fire on <em>People Like Me<\/em> in particular at -2:09 to go,\u00a0 and the heavenly chorus enraptures.\u00a0 And Nneka??\u00a0 She of Nigerian\/Germanic persuasion?\u00a0 On <em>Kangpe <\/em>she hands it off to her handlers and cohorts at -2:30 for a stellar sequence, but she and the song speak gospel throughout.\u00a0 And it&#8217;s Easter.\u00a0 So praise be to the most high.<\/p>\n<p>K&#8217;Naan&#8211;<em>People Like Me<\/em><\/p>\n<p><a id=\"hypImageNext\"> <img decoding=\"async\" id=\"userImage\" src=\"http:\/\/c3.ac-images.myspacecdn.com\/images01\/107\/l_dc5218f411fd6abd616cd32ca0c36566.jpg\" alt=\"\" \/> <\/a><\/p>\n<p>Photo by James Minchin<\/p>\n<p><a href=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/14-People-Like-Me1.mp3\">14 People Like Me<\/a><\/p>\n<p><a id=\"hypImageNext\"> <img decoding=\"async\" id=\"userImage\" src=\"http:\/\/c2.ac-images.myspacecdn.com\/images01\/68\/l_92201ba20b4f7cadff63690815b5f5b5.jpg\" alt=\"\" \/> <\/a><\/p>\n<p>Nneka&#8211;<em>Kangpe<\/em><\/p>\n<p><a href=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/10-Kangpe.mp3\">10 Kangpe<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>No, it ain&#8217;t&#8217; no anagram.\u00a0\u00a0 Instead (at long last) it&#8217;s songs and sounds closely insinuating Marley-esque maneuvers.\u00a0 This pair is inspired and inspiring, and aspire to the higher ground that only Marley delivered.\u00a0 This time Jamaica has given way to Afro-centric origins.\u00a0\u00a0 Here in Amerique, we&#8217;ve been waiting for Lil&#8217; This and Lil&#8217; That to [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-77","post","type-post","status-publish","format-standard","hentry","category-music"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.8 - aioseo.com -->\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"Lefort\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/www.thelefortreport.com\/blog\/2010-04\/knaan-and-nneka\/\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.8\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"The Lefort Report |\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" 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