{"id":7954,"date":"2011-11-20T16:48:04","date_gmt":"2011-11-20T16:48:04","guid":{"rendered":"https:\/\/www.thelefortreport.com\/blog\/?p=7954"},"modified":"2015-09-02T08:42:08","modified_gmt":"2015-09-02T16:42:08","slug":"graham-nash-and-david-crosby-two-lost-masterpieces","status":"publish","type":"post","link":"https:\/\/www.thelefortreport.com\/blog\/2011-11\/graham-nash-and-david-crosby-two-lost-masterpieces\/","title":{"rendered":"Graham Nash and David Crosby&#8211;Two Lost Masterpieces"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-large wp-image-8184\" title=\"CSNWOODSTOCK\" src=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/CSNWOODSTOCK-650x423.jpg\" alt=\"\" width=\"635\" height=\"413\" srcset=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/CSNWOODSTOCK-650x423.jpg 650w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/CSNWOODSTOCK-150x97.jpg 150w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/CSNWOODSTOCK-450x293.jpg 450w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/CSNWOODSTOCK.jpg 1181w\" sizes=\"auto, (max-width: 635px) 100vw, 635px\" \/><\/p>\n<p>A couple of weeks ago <strong>David Crosby<\/strong> and <strong>Graham Nash<\/strong> showed up on <strong>The Letterman Show<\/strong> to perform their older song, <em><strong>Taken At All<\/strong><\/em>, which you can check out way below.\u00a0 For us, however, the performance served primarily as a reminder of the great sounds these two musicians have made solo, together, and with fellow musical denizens, <strong>Stephen Stills<\/strong> and <strong>Neil Young.<\/strong> Their music was the scintillating soundtrack to our formative years, and we can&#8217;t let it go.\u00a0 We&#8217;ve covered<a href=\"https:\/\/www.thelefortreport.com\/blog\/2011-02\/manassas-a-lost-masterpiece\/\"> <strong>Stephen Stills <\/strong>and<strong> Manassas<\/strong><\/a> in the past, and are still assessing if we will ever be able to give a fitting tribute to the all-timer, <strong>Neil Young<\/strong> (who for us sits atop a mountain of musicians).\u00a0 For now, we give you Graham Nash and David Crosby.<\/p>\n<p>Whether as<strong> CSN&amp;Y, CS&amp;N<\/strong>, the duo <strong>Crosby &amp; Nash<\/strong>, or solo, a generous portion of our juvenile years were spent listening in to these fine musicians and their vocalisimmos.\u00a0 We have a particular soft spot for two masterful albums that seem to have slipped through the seams in the musical pantheon.\u00a0 We hold <strong>Graham Nash&#8217;s<\/strong> &#8220;<strong>Songs for Beginners<\/strong>&#8221; and the eponymously entitled, <strong>&#8220;David Crosby\/Graham Nash&#8221;<\/strong> albums in the highest regard.\u00a0 If you haven&#8217;t heard or haven&#8217;t recently listened in, they merit your ears.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-8163\" title=\"Graham Nash - Songs For Beginners - 1971  ,a, lrg\" src=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/Graham-Nash-Songs-For-Beginners-1971-a-lrg1.jpg\" alt=\"\" width=\"476\" height=\"476\" srcset=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/Graham-Nash-Songs-For-Beginners-1971-a-lrg1.jpg 476w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/Graham-Nash-Songs-For-Beginners-1971-a-lrg1-150x150.jpg 150w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/Graham-Nash-Songs-For-Beginners-1971-a-lrg1-400x400.jpg 400w\" sizes=\"auto, (max-width: 476px) 100vw, 476px\" \/><\/p>\n<p>Following the initial break-up of CSNY, <strong>Graham Nash<\/strong> decided to go it alone and in 1971 put out his first solo album, &#8220;<strong>Songs for Beginners<\/strong>.&#8221;\u00a0 Thematically the album bears signs of the turbulent political and personal state of Nash in the aftermath of Nash&#8217;s traumatic (duh!) breakup with <strong>Joni Mitchell<\/strong>.\u00a0 Graham Nash has given us a seeming millennium of great, melodic music, first in the Hollies and then in CSN&amp;Y.\u00a0 But what many forget is the particularly prolific period between 1971 and 1972 when Nash put out this first solo album and then consorted with Crosby for their first album together as a duo.\u00a0 Nash&#8217;s songs on these two albums are witness to his pop-song savvy, his authentic emotional lyrics, and his political activism, and all of which boast his tenor lead vocals and harmonies.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-8182\" title=\"2009-02-03-GRAHAMNASH.RGB_.v2.sm_\" src=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/2009-02-03-GRAHAMNASH.RGB_.v2.sm_1-270x400.jpg\" alt=\"\" width=\"270\" height=\"400\" srcset=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/2009-02-03-GRAHAMNASH.RGB_.v2.sm_1-270x400.jpg 270w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/2009-02-03-GRAHAMNASH.RGB_.v2.sm_1-101x150.jpg 101w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/2009-02-03-GRAHAMNASH.RGB_.v2.sm_1-405x600.jpg 405w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/2009-02-03-GRAHAMNASH.RGB_.v2.sm_1.jpg 500w\" sizes=\"auto, (max-width: 270px) 100vw, 270px\" \/><\/p>\n<p>Songs for Beginners featured many fine musicians such as <strong>David Crosby<\/strong> (who that same year released his seminal solo album, &#8220;<strong>If I Could Only Remember My Name<\/strong>&#8220;), <strong>Jerry Garcia, Phil Lesh, Dave Mason, David Lindley, Rita Coolidge <\/strong>and <strong>Neil Young <\/strong>(under the <strong>Joe Yankee pseudonym<\/strong>), and some of the best songs from the early &#8217;70s.\u00a0 Check out some of our faves below. First is <em><strong>Military Madness, <\/strong><\/em>which is particularly fitting 40 years later (check the lyrics below the song), particularly as compared with the &#8220;hit&#8221; political song off the album, <em><strong>Chicago<\/strong><\/em>, which we&#8217;ll leave off.\u00a0 <em>Military Madness<\/em> features <strong>Rita Coolidge&#8217;s <\/strong>background vocals and <strong>Dave Mason<\/strong>&#8216;s stellar electric guitar.\u00a0 Next up is the confessional <em><strong>Simple Man <\/strong><\/em>(via a phenomenal, &#8220;ancient&#8221; live performance accompanied by Crosby).\u00a0 Then check out <em><strong>Better Days<\/strong><\/em> (with its <strong>McCartney-esque<\/strong> feel and flourishes), <em><strong>I Used To Be A King<\/strong><\/em> (an obvious ode to <strong>Joni <\/strong>with supreme pedal-steel guitar from <strong>Jerry Garcia<\/strong>), and <em><strong>There&#8217;s Only One <\/strong><\/em>(with <strong>Rita Coolidge<\/strong> on piano and <strong>Clydie King<\/strong> and choral crew on backing vocals).<\/p>\n<p><iframe loading=\"lazy\" title=\"Graham Nash - Military Madness\" width=\"635\" height=\"357\" src=\"https:\/\/www.youtube.com\/embed\/czUx2gvjdJk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&#8220;In an upstairs room in Blackpool<br \/>\nBy the side of a northern sea<br \/>\nThe army had my father<br \/>\nAnd my mother was having me<br \/>\nMilitary Madness was killing my country<br \/>\nSolitary Sadness comes over me<\/p>\n<p>After the school was over and I moved<br \/>\nTo the other side<br \/>\nI found a different country but I never<br \/>\nLost my pride<br \/>\nMilitary Madness was killing the country<br \/>\nSolitary sadness creeps over me<\/p>\n<p>And after the wars are over<br \/>\nAnd the body count is finally filed<br \/>\nI hope that The Man discovers<br \/>\nWhat&#8217;s driving the people wild<br \/>\nMilitary madness is killing your country<br \/>\nSo much sadness, between you and me<br \/>\nWar, War, War, War, War, War&#8221;<\/p>\n<p>http:\/\/www.youtube.com\/watch?v=gua6mFty4so&#038;feature=related<\/p>\n<p><iframe loading=\"lazy\" width=\"625\" height=\"425\" src=\"https:\/\/www.youtube.com\/embed\/YOpl87g1oU8\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" width=\"625\" height=\"425\" src=\"https:\/\/www.youtube.com\/embed\/4cvoq8ybE7o\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" width=\"625\" height=\"425\" src=\"https:\/\/www.youtube.com\/embed\/zU-3p0Qy1vs\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-8170\" title=\"Graham-Nash-Graham-Nash--Davi-438353\" src=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/Graham-Nash-Graham-Nash-Davi-4383531.jpg\" alt=\"\" width=\"500\" height=\"491\" srcset=\"https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/Graham-Nash-Graham-Nash-Davi-4383531.jpg 500w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/Graham-Nash-Graham-Nash-Davi-4383531-150x147.jpg 150w, https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/Graham-Nash-Graham-Nash-Davi-4383531-407x400.jpg 407w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p>Following the release of their solo albums, Nash and Crosby then collaborated on their <strong>&#8220;David Crosby\/Graham Nash&#8221;<\/strong> album, which was released in 1972.\u00a0 The album&#8217;s and these musicians&#8217; many gifts still (knowingly or unknowingly) influence manifold musicians of our current music scene.\u00a0 Once again this album featured backing from <strong>Dave Mason<\/strong> and members of <strong>The Grateful Dead<\/strong> (<strong>Jerry Garcia, Phil Lesh<\/strong> and <strong>Bill Kreutzmann<\/strong>) and <strong>The Section<\/strong> (<strong>Craig Doerge, Danny &#8220;Kootch&#8221; Kortchmar, Leland Sklar<\/strong>, and <strong>Russell Kunkel<\/strong>), the members of which dominated the California music studios at the time. The songs on the album confirm\/extend Nash&#8217;s pop songwriting abilities (including the  album&#8217;s hit, the well known ode to the US Immigration Service, <em><strong>Immigration Man<\/strong><\/em>), and Crosby&#8217;s complicated and introspective compositions that explored mood via augmentation and diminishment.\u00a0 All  of the songs on this fine album are delivered with the duo&#8217;s usual complicated vocal arrangements and heavenly harmonies.\u00a0 The commercial success of this  album eclipsed their two solo albums.<\/p>\n<p>Though the entire album shines, check out favorites from the album.\u00a0 First check out Nash&#8217;s <em><strong>Southbound Train,<\/strong><\/em> featuring an elegiac pedal steel guitar solo from <strong>Jerry Garcia<\/strong>.<\/p>\n<p><strong>Crosby &amp; Nash&#8211;<em>Southbound Train<\/em><\/strong><\/p>\n[audio:https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/01-Southbound-Train.mp3|titles=01 Southbound Train]\n<p>Then compare and contrast the two musicians&#8217; stylings by checking out Crosby&#8217;s\u00a0<strong><em>Page 43 <\/em><\/strong>(possibly Crosby&#8217;s finest song, vocals and lyrics&#8211;&#8220;The river can be hot or cold, and you should dive right into it, else you&#8217;ll find it&#8217;s passed you by; Pass it around one more time, I think I&#8217;ll have a swallow of wine, life is fine even with the ups and downs, and you should have a sip of it, else you&#8217;ll find it&#8217;s passed you by&#8221;) and <strong><em>Where Will I Be <\/em><\/strong>(Dear Fleet Foxes:\u00a0 Listen in at 2:27 and hear that which you can attempt to copy, but will never attain).<\/p>\n<p><strong>Crosby &amp; Nash&#8211;<em>Where Will I Be<\/em><\/strong><\/p>\n<p><strong><em>[audio:https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/05-Where-Will-I-Be_-LP-Version.mp3|titles=05 Where Will I Be_ (LP Version)]<\/em><\/strong><\/p>\n<p><strong>Crosby &amp; Nash&#8211;<em>Page 43<\/em><\/strong><\/p>\n<p><strong><em>[audio:https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/06-Page-43.mp3|titles=06 Page 43]<\/em><\/strong><\/p>\n<p>Then we return to two Nash compositions, <em><strong>Stranger&#8217;s Room<\/strong><\/em> (with its French Horns and fine lyrics&#8211;&#8220;Where do I go from here, help me, I wish I could disappear and go away, from the knowing, that you&#8217;ve known me far too long, when I find a different tune, I guess I&#8217;ll sing a different song&#8221;) and <em><strong>Girl to Be On My Mind<\/strong><\/em> (with its sorrowful search for still-lost love&#8211;haunted even two years later by Joni Mitchell).<\/p>\n<p><strong>Crosby &amp; Nash&#8211;<em>Stranger&#8217;s Room<\/em><\/strong><\/p>\n<p><strong><em>[audio:https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/04-Strangers-Room.mp3|titles=04 Strangers Room]<br \/>\n<\/em><\/strong><\/p>\n<p><strong>Crosby &amp; Nash&#8211;<em>Girl to Be On Mind<\/em><\/strong><\/p>\n<p><strong><em>[audio:https:\/\/www.thelefortreport.com\/blog\/wp-content\/uploads\/09-Girl-To-Be-On-My-Mind.mp3|titles=09 Girl To Be On My Mind]<br \/>\n<\/em><\/strong><\/p>\n<p>And just for fun, check out <strong>The Hollies<\/strong> and Nash performing their biggest US hit, <em><strong>Bus Stop<\/strong><\/em>.<\/p>\n<p><iframe loading=\"lazy\" width=\"625\" height=\"425\" src=\"https:\/\/www.youtube.com\/embed\/0oQ0kiRqQLk\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A couple of weeks ago David Crosby and Graham Nash showed up on The Letterman Show to perform their older song, Taken At All, which you can check out way below.\u00a0 For us, however, the performance served primarily as a reminder of the great sounds these two musicians have made solo, together, and with fellow [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-7954","post","type-post","status-publish","format-standard","hentry","category-music"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts\/7954","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/comments?post=7954"}],"version-history":[{"count":4,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts\/7954\/revisions"}],"predecessor-version":[{"id":24566,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/posts\/7954\/revisions\/24566"}],"wp:attachment":[{"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/media?parent=7954"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/categories?post=7954"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thelefortreport.com\/blog\/wp-json\/wp\/v2\/tags?post=7954"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}